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Basilisk

by J. Robbins

supported by
IAmRevEvil
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IAmRevEvil absolutely tremendous album.

4/5 Favorite track: Gasoline Rainbows.
Darknight
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Darknight Basilisk is a gorgeous record, fantastically triumphant and so uplifting. J. Robbins knows how to write brilliant upbeat pop rock songs. Favorite track: A Ray of Sunlight.
Lake of Berra
Lake of Berra thumbnail
Lake of Berra Exquisite Corpse is just perfect as I knew it would be! One of the finest song writers of any generation doing what he does best. I await Basilisk with growing anticipation! Favorite track: Exquisite Corpse.
Simon Roberts
Simon Roberts thumbnail
Simon Roberts Another amazing album from the unsung hero of alternative rock! There's only Bob Mould who can compete with Mr Robbins on the noise and melody front and lyrically, J is up on his own. Superb stuff and long may it continue! Favorite track: Last War.
Roman Mars
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Roman Mars So excited for the new album!
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1.
Automaticity 03:09
all of the I love yous in the world precious as a string of plastic pearls bedazzling the landfill of your pure intentions you’re all set to blow your cover will you bet your life automatic pilot, rest your eyes slapstick tightrope sleepwalkers survive kiss automaticity goodbye, it’s no protection you don’t get to do this over you don’t get more time your words are meaningless if you never put aside your disguise typing “save me” into a browser window won’t make it alright so lifelike, when you take your place and say what you’re expected to say in half-light, anyway some half-baked, half-awake embrace waiting for the end of the day or for a slap in the face you don’t get to do this over will you bet your life unconscious in overdrive I wanna open my eyes and see your face in the lights
2.
exquisite corpse is the name of a game I’m not sure i want to play the best intentions can all go astray on any portion of that page it’s a plot made entirely of twists this brainchild basilisk together in one place, but none see the same shattered image, broken frame A mystery play through the eyes of Man Ray drink the new wine, eat the deadly nightshade giving nothing away exquisite corpse lurches out of the grave mismatched head and arms and legs and every part wants to go its own way issuing the others grades A mystery play through the eyes of Man Ray drink the new wine, eat the deadly nightshade counting glass tears on a passionless face photogram outlines, negative space giving nothing away paper and pen for drawing lines they separate what’s yours from mine by design and the game doesn’t teach trust with more time A mystery play through the eyes of Man Ray drink the new wine, eat the deadly nightshade counting glass tears on a passionless face photogram outlines, negative space giving nothing away
3.
Last War 03:36
no such thing, life after history there’s no sleepwalking security it’s not Weimar 1933 but it’s not far enough for me poison courses, trojan horsemen open doors while you’re still fighting the last war for how long? a carnival for carnivores and saboteurs while you’re still fighting the last war you’ll die fighting the last war armed with lip service, self parody usual business, fake sincerity under siege in your secret city choking on slow motion remedies poison courses trojan horsemen open doors while you’re still fighting the last war you’ll die fighting the last war a carnival for carnivores and saboteurs while you’re still fighting the last war for how long? what’s the past for if it looks you in the eye but the lessons pass you by when your task force fails the crash course console yourself you tried but i wanna do better than survive a carnival for carnivores and saboteurs while you’re still fighting the last war for how long? poison courses trojan horsemen open doors while you’re still fighting the last war you’ll die fighting the last war
4.
gasoline rainbows over mercury lakes cataract halos for illuminated fakes if life is a series of narrow escapes magical thinking puts a file in every cake in backwaters of belief they’ve been sharpening their teeth wings of angels, satellites fall burning in the night vulturine heroes beguile and betray dopamine payloads drive this on-demand doomsday in backwaters of belief they’ve been sharpening their teeth wings of angels, satellites fall burning in the night and what good is the word of a god who won’t return til everything has burned gasoline rainbows cataract halos dopamine payload down a dead end road merrily we go
5.
Not The End 01:58
don’t talk to me about the arc of history as if you know which way it wants to bend the only thing on which you can depend: this isn’t the end maybe your emotions are just chemistry a wilderness of mirrors in your head desire and despair, just electricity they descend and then they rise again if you wish for an end or you fear for the end this isn’t the end
6.
Old Soul 03:27
this was your song long before you were gone the words still fight not to come my way the emptiest space the memory of your face an afterimage, out of phase old soul the future isn’t ours to know i walk in circles now, I’m singing to a ghost with eyes closed old soul it’s suddenly a colder world from which I retrace connections made and games played wide eyed, I never was that wise and home’s not a place it’s a knowing look, a 4th wall break gift of a new world through your eyes old soul once open doors forever closed precious cargo in a box of brittle bones cruel blow old soul severed from the fold old soul the future isn’t ours to know I walk in circles, now I’m singing to your ghost with eyes closed old soul severed from the fold
7.
you wake to the ashen morning painting a red sky warning waiting on a ray of sunlight deep in the darkest timeline climbing the steepest incline just to feel a ray of sunlight days slipping through your hands denying your demands nothing to help you see more clearly stripped of your sweet illusions kissing your cuts and bruises dying for a ray of sunlight if you can live through this cruel metamorphosis your reward is just a ray of sunlight days slipping through your hands denying your demands nothing to help you see more clearly the more you understand pain is in the plan cont disconnect from every feeling they want all roads to lead home with prizes at the end for everyone but you just stand here, staring at the sun
8.
cold open with no land in sight a technicolor ocean, cracking ice a nightmare family, frozen mannequins who couldn’t save me if i swam to them don’t let the dream end I’ll reach Deception Island or die before I wake is this where I was born to be it feels more real than waking life to me back there on shrinking ice, on blue-black waves real memories fade, childhood nightmare replays don’t let the dream end I’ll reach Deception Island or die before I wake nothing peaceful in this silence only storms on the horizon and we all want some deus ex machina to come and save the day then the dream ends and there’s an ocean in between us I watch you drift away
9.
Sonder 03:14
sonder is insane takes your breath away stories endlessly overlaid coarse in your veins of course, in vain the wonder and the shame detachment falls away when you need someone else to blame you drop the reins no momentary grace no hiding place no world away faith in parallel decay
10.
Open Mind 04:18
red carnations blooming on the ceiling the face in center frame, concealed, revealing the prison of the sane, the fear of feeling I salute your steady aim, Amanda Feilding wipe the blood  from your eyes let in a little light everybody wants a bit more life open mind open heart beats in your brain, beautiful changeling stone extraction, gory action painting wipe the blood  from your eyes let in a little light everybody wants a bit more life open mind, open mind and then a certain peace, a kind of returning she rose within herself, more brightly burning proof of life cross a line let in a little light everybody says they want more life open mind, open mind
11.
greed and grievance, reptile brain grafted to a rotting frame a swizz by any other name doctrine of a dead-eyed god reward and punish, pride and shame winners learn to work the game losers born to take the blame for the judgment of a dead-eyed god whose blessing is a hole that hides you whose mercy blinds you alabaster idyll, violence and fear define you so white and cold a mold to remake you in the image of a dead-eyed god boys, so proud to make the most of your abusive father’s ghost with dreams of knife-fight sacrifice to feed a dead-eyed god who populates ex nihilo this nihilistic rodeo with wolves and sheep, the weak and bold bled white for a dead-eyed god whose blessing is a hole that hides you whose mercy blinds you alabaster idyll, violence and fear confine you so white and cold a mold to remake you in the image of a dead-eyed god

credits

released February 2, 2024

Recorded at the Magpie Cage, Baltimore MD
Engineers: Matt Redenbo, J. Robbins
Mastered by Dan Coutant at Sun Room Audio
Vinyl Lacquers cut by Bob Weston at Chicago Mastering Service

Voice, Electric Guitar, other instrumentation,
production, mix: J. Robbins
Bass Guitar and backing vocals: Brooks Harlan
Drums and percussion: Darren Zentek

Cello on "Last War" and Electric Guitar on "Old Soul": Gordon Withers

Lead Guitar on "Exquisite Corpse": John Haggerty
Recorded by Andy Gerber at Million Yen, Chicago IL

Pedal Steel on "Not The End": Dave Hadley
Recorded in the wild by Andrew Grimm

Shared Lead Vocal and Harmonies on "Open Mind": Janet Morgan

Backing vocals on "Not The End" sung by the Daughters of Brian (Janet Morgan, Sarah Magee, Gill Cresswell)

Front cover collage ("Turquoise Valley") and back cover portrait collage by KEELERTORNERO

Session photos by Janet Morgan

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about

J. Robbins Baltimore, Maryland

J. Robbins has been the singer/guitarist and principal songwriter in several DC-and-Baltimore-area post-punk rock bands since the late 1980s, most notably Jawbox, Burning Airlines, and Channels. He is also owner and operator of the Magpie Cage recording studio in Baltimore MD.
T-shirts and other J. Robbins-related merch are available at www.shirtkiller.com/jrobbins

Photo by Shane Gardner
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